Hideo Oyama Quartet “Asian Modernism”

"Asian Modernism"

(Jazz Bank) 2001     

Hideo Oyama’s new release “Asian Modernism” on the Jazzbank label will move him right out of the “under-rated player” category. This sleek collection of bebop and ballads by an alto sax player who has, as often as not, played a supporting role in many of Tokyo’s best jazz groups, will send some of the more recognized sax players around town back to the practice rooms.

This release, recorded in June this year, gives Oyama center stage to show off his rapid-fire phrasing and fluid, confident soloing. The rhythm section of pianist Kazuhide Motooka, bassist Shin Kamimura and drummer Akira Igawa swings hard, bringing together their wide experience into a solid launching pad for Oyama’s explorations.

Oyama has clearly worshipped at the altar of Charlie Parker, evidenced in his accomplished technique of playing in tight packets of intense melodic phrases. He also constructs his solos with sharp twists of harmonic direction at incredibly fast tempos. Even at the fastest speed, he maintains control of his ideas and delivers them beautifully. Cole Porter’s “Just One of Those Things” zips along, pausing only when Oyama pulls out a stunning alto break that makes the rhythm section discretely lay out for a few bars until he finishes. The CD also has plenty of slower ballads, as well, though. Two Gershwin pieces are given an especially balanced, relaxed treatment.

Three of Oyama’s six originals have a gentle, reflective feel to them that lets his unaffected alto sax tone sing clearly and expressively. The other three are complex, clever constructions that get the fast-fingered treatment they deserve. The CD has an overall care that neatly fits the conception inherent in the CD’s title—studied, well-designed, artistic expression.