Tomonao Hara New York Quartet [2002]

Live at Shinjuku Pit Inn
July 26, 2002

Tomonao Hara--trumpet
Orrin Evans--piano
Eric Revis--bass
Nasheet Waits--drums

Despite jet lag, a little culture shock and it being the first night of the tour, Tomonao Hara’s New York Quartet put on a great show of solid post-bop playing. Sounding more confident than every, Hara pulled out interesting melodic ideas, and the quarter clearly were digging the proceedings. Putting aside the earnest respect that can be inhibiting at times, Hara and band eased into a relaxed interaction and playful approach that kept their muscular sound strong and directed. Orrin Evans’ “For Miles” opened the first set with plenty of room for everyone to solo and get warmed up. As a leader, Hara’s choice to let the other three get into the feeling fully with long solos was a good one. As the set developed, their interaction became more and more exciting. “Seven Steps to Heaven” and “Circle” were sharp and careful with tones but found each player still searching for their footing. Evans, Revis and Waits kept the vibe loose, hanging on notes, throwing in free jazz touches, and enjoying the overall sound. The back and forth from straightahead to modal and free kept the texture varied just right. The choice of compositions to mix in between the Miles Davis compositions from Hara’s recent “Pinocchio” release, in particular “Black Elk Speaks,” by Revis, were well considered. These elements came together in the second set, and the quartet showed what they were really capable of, with interesting solos, clever take-outs and tight give-and-take. Waits is a wonder on the drums, bringing together a variety of rhythmic ideas with smoothness and clarity. Revis showed a solid maturity on bass that kept everyone together with the right amount of flexibility. Evans on piano tossed off harmonies and support with ease. Hara’s playing sounded better than ever, polished to a gleam after time spent playing in the States. Hara’s playing has always had great tone, power and clarity, but his new-found confidence and easy-going approach really made for a sophisticated, varied sound that’s right on target.